Delft blue tiles – not always blue, not always from Delft

early delft tiles blue pictures
Dutch tiles, probably 1660s, with an animal or small portrait from everyday life on each. Nail marks in the corners show how tiles were held firm during the manufacturing process. In Museum Amstelkring. Photo by Ard Hesselink

The history of Delft tiles goes back to the early 1600s when blue and white porcelain from China first arrived in the Netherlands. It was much admired and Dutch potters wanted to imitate the look, even though they couldn’t recreate true Chinese porcelain.

Potteries in Delft had some success with good quality blue and white glazed earthenware. Craftsmen in the city who were already making multi-coloured tiles soon started to work with the new colour scheme.

The tile-makers began by rolling out a clay mixture and cutting squares from it by pressing a wooden frame into the clay.  Typically these were 1 cm deep with 13 cm edges. They were dried before firing in a kiln heated to around 1000°C. Next liquid white tin glaze was spread on the upper surface and left to dry naturally.

Decorating the surface

delft tiles late 1600s
"New" purplish colour, based on manganese, used with blue for the dairy of Dyrham Park, built in late 1600s. This grand English house featured Dutch decorative arts when William of Orange was king. Photo by Angus Kirk.

Decorative scenes were sketched on paper. Pricking through the outlines with a pin created a stencil, or pricked transfer, called a spons. Then a bag of charcoal dust was rubbed through the pinholes onto the glaze. Painters followed the charcoal tracing and sometimes added freehand shading to the design. The characteristic cobalt blue decoration fused into the opaque white surface during a second firing. Manganese-based purple, introduced in the later 17th century, was sometimes chosen as an alternative to blue.

Dutch homes used tiles generously round chimneypieces and stoves, in kitchens, and decorating hallways or stairs. Scenes from everyday life were popular: children playing, animals, workers, soldiers, or ships and harbours.

“Delft” tiles were made in other parts of the Netherlands too, for export as well as for local buyers. Social and economic trends meant that ceramic production was centred on Delft by about 1700, but was greatly reduced in that city by 1800.*

delft tiles 19th century
Panel of tiles comes from a kitchen in the 17th C Willets-Holthuysen house (Amsterdam) renovated in the 1860s. Other birdcages and bigger pictorial panels are set in expanses of plain off-white tiling. Photo by André.

Antique hand-made tiles don’t look as smooth as reproductions made in modern factories. The glaze is more crackled, with colour variations in the white, and there may be indentations where the tiles were held in place by nails in the early stages before firing.

The Delft style and technique was used for a range of household and ornamental ceramics – often called Delftware or Delft Blue – not just for tiles. By the later 19th century Dutch tile manufacturers were losing out to industrial competitors elsewhere in Europe, but the Delft tile name lives on and is still popular today, whether new or antique.

More tile history from the Netherlands Tile Museum.

Photos

Photographers credited in captions. Links to originals here:
Early Delft tiles, Manganese tiles in England, Birdcage tile panel,    More picture info here

Notes

*According to de Vries and van der Woude in The First Modern Economy: Success, Failure, and Perseverance of the Dutch Economy, 1500-1815

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